Story:Sivaji (Rajnikanth) is a rich NRI software pro. Son of caring parents (Manivannan and Vadivukkarasi), and the nephew of an ever helpful uncle (Vivek), Sivaji comes to India with the larger than life dream of running universities and hospital for the benefit of the poor. (The idea is smartly done when he talks of every riches coming to India, but beggary not going away).Sivaji has to however contend with Adikesava Reddy (Suman), a slimy crocodile of a educationist and a hospital owner. He has vested interests in not allowing Sivaji to get on with his ambitious projects. Sivaji,, however, has his heart set. Despite running into a non-cooperating administration (the red-tapism prevalent is exposed in an irony-filled humour), Sivaji soldiers on. He unwillingly greases the palm of venal babus and politicos to get sundry permission required to build the infrastructure.But Adi consistently turns out to be the spanner in the works and even goes to the extent of unseating the government to stop Sivaji in his tracks.In the meanwhile, Sivaji falls in love with a midlleclass Umadevi (Shriya), who is the daughter of uncompromising parents (Raja and Uma Padmanabhan). Sivaji, with the aid of his uncle, goes out of the way to court the girl and her family. The scenes involving the two families are such a lark that they bring the theatre down in laughter. (Watch out for that riotous Deepavali scene when the families have some rollicking fun). Umadevi, despite the fear engendered after a fortuneteller predicts calamity for Sivaji if she marries him, finally agrees to be his life partner (the scene at the railway tracks where she accepts as him as his lover is both romantic as well as very humorous). His light-hearted attempts to look fair are also very funny.But on the business front, the evil administration and wily Adi ensure that Sivaji loses all his wealth and all his dreams lie shattered as a dust heap. Sivaji has nothing left in life, and in a heady taunt Adi tosses a one rupee coin, in an effort to say that Sivaji is now a beggar.Sivaji is now a transformed lion, he vows to use the same one rupee coin as the 'investment' to take not just Adi, but all the money sharks. Rooting out black money is his broad and dramatic theme. Along with his uncle, Sivaji plays smart, but under the law tricks, to shatter the wits of the villainous group.The way Sivaji goes about is very gritty and provides the film with the right lift. The way he brings in all the black money, which he prises out of the evil hands, ingenious and inventive (it is through the hawala route).Sivaji manages to build his dream projects with lot of arm twisting and sweet villainy. But Adi and the other baddies hit back, they plot and get Umadevi herself to reveal all the details of Sivaji's modus operandi. They even kill him when in the custody of the police. But they cannot get the details out of his personal laptop (it has all the minutiaes of his transactions) as it is voice-recognition password protected. Sivaji is however dead and the laptop would not budge for any other voice command (this is a smart usage of modern techno gizmo to carry on the narrative).How can the hero die without finishing off the baddies? Well, there is an interesting twist in the tail. Watch it for the exhilaration and the sheer stylish audacity of it all.
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